Plugin Rack
INPUT
GATE
EQ
COMP
SAT
REVERB
MASTER
CPU: 14%
Latency: 6ms
CHAIN:
A/B:
— Input Stage —
01 GOAT Input Trim + Phase UTILITY
Gain
+0dB
Pan
C
Phase
Polarity
Mono
L→R
Swap
L
R
02 SSL G-Series Noise Gate GATE
Threshold
-40dB
Attack
1ms
Hold
50ms
Release
100ms
Range
-40dB
Tight Vocal
Snare
Kick
Room Mic
Custom
— EQ Stage —
03 NEVE 1073 Console EQ EQ
+3dB
+2dB
0dB
+1dB
80Hz
Vocal Air
Warm
Bright
Presence
04 API 550A 3-Band EQ EQ
+4dB
-2dB
+2dB
— Compression Stage —
05 UREI 1176 FET Compressor COMP
Input
+4dB
Output
+0dB
Attack
4ms
Release
Auto
Ratio
GR: 0dB
Vocal Glue
Punchy Vox
Drums
Bus Glue
06 TELETRONIX LA-2A Optical Compressor COMP
Gain
+3dB
Peak Red.
45%
Limit mode
Sidechain HPF
07 SSL G-Bus Compressor COMP
Threshold
-8dB
Ratio
4:1
Attack
3ms
Release
0.4s
Makeup
+3dB
— Saturation & Color —
08 STUDER A800 Tape Saturation SATURATION
Drive
+3dB
Bias
0
Mix
70%
09 PULTEC MEQ-5 Midrange EQ + Tube TUBE
Boost
+2dB
Atten.
-1dB
Warmth
60%
— Spatial & Time Effects —
10 EMT 140 Plate Reverb REVERB
Pre-Delay
22ms
Decay
1.8s
Damp
55%
Mix
25%
11 LEXICON 480L Concert Hall REVERB
Size
70%
Decay
3.2s
Mix
30%
12 WAVES H-Delay — Slap / Ping DELAY
Time
1/8
Feedback
35%
Pan
C
Mix
25%
— Modulation —
13 ROLAND Dimension D Chorus CHORUS
Rate
0.8Hz
Depth
45%
Mix
50%
14 MXR Phase 90 / Flanger PHASER
Speed
0.5Hz
Depth
60%
Feedback
40%
— Pitch & Vocal —
15 EVENTIDE H3000 Pitch Shift / Detune PITCH
Pitch
0st
Detune
0c
Mix
30%
16 SPL De-Esser DE-ESSER
Frequency
7kHz
Threshold
-14dB
Reduction
6dB
— Mastering Stage —
17 IZOTOPE Ozone Limiter / LUFS LIMITER
Ceiling
-0.3dB
Gain
+3dB
Release
Auto
LUFS Target
-13.8 LUFS
18 WAVES C6 Multiband Compressor M-BAND
SUB
-8dB
LOW
-4dB
MID
-6dB
HIGH
-3dB
AIR
-2dB
19 WAVES S1 Stereo Imager STEREO
Width
120%
Rotation
Asymm.
0
20 GOAT Master Output + Metering OUTPUT
Volume
0dB
Pan
C
L
-3dB
R
-4dB
-13.2
LUFS INTEGRATED
Master Out
L
-4dB
R
-5dB
-13.5
LUFS
-0.3
dB TPK
8.2
dB Dyn